Created according to the parameters of a hybrid novel, this editorial object consists of a redrawing of the work “The Stranger” by Albert Camus — a reinterpretation of the narrative, transported to the visual and graphic medium.

This narrative is materialised into two physical planes, with the intention of revealing the mental path of the main character, Meursault: the base pages — the main discourse; the vegetable paper, overlaying the first — the inconsequent observations of the character, which isolate and turn him into a stranger in the main narrative.